Ph.D. in English, Stanford University, 1990.

M.A. in English, Stanford University, 1985.

B.A. in English, Summa Cum Laude, Macalester College, 1983.

Associate Professor of Comparative Literature, SUNY at Stony Brook, 1999-present.

Associate Professor of English, SUNY at Stony Brook, 1997-present.

Assistant Professor of English, SUNY at Stony Brook, 1990-1997.

Women's Studies Affiliate, SUNY at Stony Brook, 1992-present.

Books:

Between Literature and Science: An Introduction to Autopoetics” ; foreword by N. Katherine Hayles. Forthcoming 2004, University of Illinois Press.

Arrow of Chaos: Romanticism and Postmodernity . University of Minnesota Press (Theory Out of Bounds Series); 1/97.

Posthuman Bodies (collected volume), as editor and author of preface and lead essay (both with Judith Halberstam), and as cover designer/illustrator. Indiana University Press; 1995.

Articles:

“Ce que signifie etre un theoreticien queer?”; trans. Robert Harvey, Rue Descartes #40, May 2003.

"The No-Trump Bid on Romanticism and Gender," Essays and Studies, 1997 (English Association Annual, U.K.).

"Defrosting: Self/Poetry/Power/Science," in Poetics/Politics, ed. A. Kumar; St. Martin’s, 1999.

"The Traffic in Leeches: David Cronenberg's Rabid and the Semiotics of Parasitism"; American Imago, Winter 1993.

"Indiscretions: Of Bodies, Genders and Technologies"; in Processed Lives, ed. J.Terry and M.Calvert; Routledge, 1997.

"Fractal Logics in Romanticism and Posthumanities" (English text by author with Spanish translation by Eleonora Falco); Ometeca Journal #5; Winter 1996-7.

Catalog Essay for Joseph Grigely, "Body Signs; Deviance, Difference and Eugenics"; Washington Project for the Arts, 1993.

"Semiotic Generators 39 & 173: 'Swimming In Language' and 'Romanticism and Posthumanities'" (experimental texts); Nomad: An Interdisciplinary Journal, Spring 1994.

Illustrations: "Automating Gender," in Feminist Studies, Fall 1991; "Three Drawings," in Sequoia, Spring 1989; "Three Lithographs," in Chanter, Winter 1983.

Poetry: "Books In Print," in Sequoia, Autumn 1985.