| |
|
|
FRIDAY, NOV. 10
9:30-10:45am:
1.Postmemory and Politics in Recent Latin American Cinema
Laia Quilez Esteve, Universidad Rovira i Virgili: Posmodernidad
y posmemoria en el nuevo documental argentina
Andrea Marinescu, University of Michigan: Young Women Directors in
Chile
Ramona Lagos, University of South Carolina: Decoding Machuca
and Cinematic Homologies
2.Spanish Silents
Susan Larson, University of Kentucky: Nemesio M. Sobrevila's Cine
Retaguardia
David George, Bates College: Cinematizing the Crowd: Celebrity
and Spectatorship in Vicente Blasco Ibáñez and Max André's Sangre
y arena (1916)
Leigh Mercer, University of Washington: The Incoherence of Modernity:
Segundo de Chomón's Una excursión incoherente
3.Cine con tetas
Barbara Zecchi, University of Massachusetts at Amherst: The Feminization
of Cinematic Violence
Margarita Pillado, Grinnell College: Cinematic Representations
of Racial and Ethnic Minorities in Women's Cinema
Raquel Anido, John Hopkins University: Locating Bodies in Spanish
Women's Cinema
María Cami-Vela, University of North Carolina, Wilmington:
Spanish Female Directors Filming in English
11:00 am-12:15:
4. Contact Zones: Immigration
Daniela Flesler, SUNY Stony Brook: The Journalist as Hero: Modern
Spain, Backward Others and the Ethnographic Performance
Liz Horne, Cornell University: Apuros y retrasos: los tiempos de
xenofobia en Bolivia
María del Carmen Rodríguez Fernández, Universidad de Oviedo: Los
recuerdos de la madre tierra: las islas del Caribe en el cine español
contemporáneo
5.New New Latin American Cinemas
Wara Saavedra Montaño, Universitat Autònoma de Barcelona: Globalización
y nuevas modernidades del cine boliviano
Daniel Noemi Voionmaa, University of Michigan: Nuevos realismos
y nuevas políticas (cine chileno hoy)
Nicole Sigl, University College Cork: On the Road to Redemption:
Liminality and Identity in Carlos Reygadas's Battle in Heaven
6. Historical Avant-gardes
Guy Wood, Oregon State University: Pistolazos pedagógicos:
Libertad sexual y modernidad en Un perro andaluz
Elena Cueto Asín, Bowdoin College: Guernica en la pantalla: referente
histórico y representación de vanguardias
Carmen Arocena Badillos, Universidad del País Vasco: La casa "Costus"
o la influencia de la movida madrileña en el cine de Pedro Almodóvar
LUNCH
1:45- 3:00 p.m.
7.Geographies of Capital in Recent Spanish Film
Malcolm Compitello, University of Arizona: Urban Fortunes or the
Rise of Rent: Álex de la Iglesia and the Art of Consumption
Rosi Song, Bryn Mawr College: Visualizando relaciones de género
y capital en el cine español: españolas en el extranjero y extranjeras
en España
Jorge Mari, North Carolina State University: Los nuevos españoles
no fuman: americanización/ antiamericanismo y cultura corporativa en el
cine español desde los años 70
William Nichols, Georgia State University: Guiris and Grúas: Critiquing
the Torremolinos Imaginary in Spanish Film
8. Urban Nightmares
Héctor Fernández L'Hoeste, Georgia State University: From Rodrigo
to Rosario: Birth and Rise of the Sicaresque
Charlotte Gleghorn, University of Liverpool: "Parece un pulpo
con miles de tentáculos": The Cinematic Modernity of Buenos Aires
in Vagón fumador (Verónica Chen, 2001)
Ernesto Acevedo-Muñoz, University of Colorado, Boulder: Bad Mother:
The Urban Nightmare in Los olvidados, Pixote and Cidade
de Deus
9. Industry and Industry
Ann Davies, University of Newcastle: Industrial Decay and Frustrated
Desire in Daniel Calparsoro's Basque Trilogy
Mar Binimelis Adell, Universitat Autònoma de Barcelona/ Universidad
de Vic: Cercando lo diverso: sobre la identidad y la otredad en las coproducciones
cinematográficas hispanoamericanas
Mark Allinson, University of Leicester: Modernity Meets
Nostalgia: Film Trailers or the Future as Seen from the Past
3:15-4:30 pm:
10.Reinas: Gendered Constructions of Modernity. Queerness, Transnationalism
and Glamour
Zuzana Pick, Carleton University: La Félix Returns Home. Spectacle,
Glamour and Modernity in La escondida (Roberto Galvadón, Mexico,
1956)
Sergio de la Mora, University of California, Davis: The (Mis)adventures
of la Reina del Mariarchi: Lucha Reyes and Queer Mexican Cultural Nationalism
José A. Sánchez Mosquera, University of Ottawa: Sara, Sarita,
Sara: the Construction of Femininity as Modernity in Sara Montiel's persona
11.Authorship and Modernity
Jo Evans, University College, University of London: Working with
'the Others': Almenábar and the Anxiety of Influence
Tom Deveny, McDaniel College: Álex de la Iglesia: auteur?
Miren Gabantxo, Universidad de Mondragón: Género, clase
y modernidad en Jorge Grau: Su expresión en Historia de una chica sola
12. Bodies in History
Tatjana Pavlovic, Tulane University: Alegorizing the Body Politic:
Masculinity and History in El jardín de las delicias and Carne
trémula
Gustavo Subero, Coventry University: Fearing the Trannies or Filmic
Phobia of Transvestism in Latino Cinema
Steve Marsh, University of South Carolina: Double Binds: The Dissident
Modernity of Eloy de la Iglesia
6:00-9:00 p.m.
Keynote Address and Reception
Paulo Antonio Paranaguá, title TBA
CUNY Grad Center Skylight Room
365 Fifth Avenue at 34th St., New York City
SATURDAY, NOV. 11
9:30-10:45 am:
13.Frustrated Modernities: Subverting the Lens of history
Julie Jones, University of New Orleans: Beyond the Pale: The Hispanic
Presence in Buñuel's Later French Films
Kirsten Strayer, University of Pittsburgh: The Anarchy of Time:
Grotesque Figures and Critical History in Luis Alcoriza's Tarahumara
(Cada vez más lejos)
Ignacio López Vicuña, University of Vermont: Multiple Memory and
Cultural Heterogeneity in Raúl Ruiz's Palomita blanca
14. Vision machines
Abigail Loxham, University of Cambridge: Tactile Vision: Inhabiting
Cinematic Space in En construcción
Josetxo Cerdán, Universitat Rovira I Virgili: Reflejos (tardíos)
de modernidad/Destellos (transnacionales) de posmodernidad: El documental
español del siglo XXI
Ignacio Infante, Rutgers University: Sex and the Luminous Interface:
The Digital 'Vision Machine' in Julio Medem's Lucía y el sexo
15. I Found it at the Movies: Cinematic Constructions of Identity
Joanne Hershfield, University of North Carolina at Chapel Hill:
Hollywood Movie Stars and 'la chica moderna' in 1930s Mexican Film Culture
Gerard Dapena, Macalester College: Becoming American: Paradigms
of Modernization in Aquí hay petróleo (1955)
Alberto Mira, Oxford Brookes University: Learning to Be Gay: The
Role of Film Cultures in the Transition from the 'Homosexual' to the 'Gay'
Paradigms in Spain
11:00 am-12:15 pm:
16.Technologies of sound and vision
Kathleen Newman, University of Iowa: Beyond Peripheral Modernity:
Silent and Early Sound Latin American Cinema and Transnational Film Theory
Illa Carrillo Rodríguez, Université Paris 1, Panthéon-Sorbonne:
Beyond Tango Music and Radio: Luis Saslavsky's Representation of Argentine
Modernity in La fuga
E. Segre, University of Cambridge: Modernizing the Archaic Trace
in Mexican Cinematography: Agustín Jiménez's Experiments
in Form in Luis Buñuel's El bruto (1952)
17. Mexican Modernities: Recent Mexican Cinema
Kerry Hegarty, Emory University: Agarrando "la Onda": Mexican
Youth Culture on Film
Lisa Amor Petrov, University of Wiscosin, Madison: Chilango Aggravations,
Stress Release and the Politics of 'Light' Urban Comedies
Claire Lindsay, University College, University of London: Mobility
and Modernity in María Novaro's Sin dejar huella.
18. Looking Forward and Back: Genealogies of Spanish Film Comedy
Jo Labanyi, New York University: Comedies for After a War: Escapism
and Conservative Modernity
Catherine Simpson, University of Richmond: 'Esas son tu pan de
mañana': Tourism, Seduction and Masculinity in the 'Destape' Contact Zone
Miguel Fernández Labayen, Universitat Autònoma de Barcelona: Modernidades,
modernismos y modernos: Constantes culturales en la comedia española
LUNCH
1:45-3:00 pm
19.Gendered Rites of Passage
Susan Martin-Marquez, Rutgers University: Coloniality and the Trappings
of Modernity in Viridiana and La mano en la trampa
Deborah Martin, University of Cambridge: Gender, Space and Violence
in Margarita Martínez and Scott Dalton´s La sierra
Nekane E. Zubiaur Gorozika, Universidad del País Vasco: De Mur
Oti a Almodóvar: El itinerario liberador de un ama de casa española
Maria Donapetry, Pomona College: Las chicas y el tríptico posmoedrno
en el cine latino: Luminarias
20. On the Road (to Modernity)
Gilberto Blasini, University of Wisconsin, Milwaukee: Riding Modernity
or the Generic Articulation of Road Movies in Latin America
David Wilt, University of Maryland: Stay on the Farm!: Perils
of Migration in Mexican Cinema
Jorge Pérez, University of Kansas: Highway to Heaven: Mobility,
Modernity and Spanishness in Sor Citroen
21. The City in Shadow and Light
Currie Thompson, Gettysburg College: Two Takes on Gender in Argentine
Film Noir
Suso Rodríguez Blanco, St. Clare's, Oxford: Ramón
Salazar on Madrid
Marina Carrasco Perezagua, SUNY Stony Brook: Redefiniciones de
identidades en la obra de Benito Zambrano: El barrio, gozne hacia la modernidad
3:15-4:30 pm:
22.Ghosts, Memories, Ruins
Patricia Keller, University of Michigan: Where the Ghost of History
Roams: Modernity, Tradition, and Landscapes of Untimeliness in Carlos
Saura's Los golfos
Antonio Gómez L.-Quiñones, Dartmouth College: La calle
rota y el pueblo perdido: Paisajes de la modernidad en El cielo gira
y En construcción
Isolina Ballesteros, Baruch College, CUNY: Espacios urbanos de
memoria: En la ciudad sin límites y Para que no me olvides
23.Television in Spain: Beyond la caja tonta
Paul Julian Smith, University of Cambridge: Modernization, Urbanization
and Television in Spain
Robin Fiddian, University of Oxford: Modernity and the Death of
the 'Auteur': Authorial Politics in Carmen y la libertad
(1995)
Isabel Estrada, Barnard College/Columbia University: La recuperación
de la memoria en el documental televisivo: epistemología en 'Les fosses
del silenci' (2003)
24.Itineraries of Modernity in Almodóvar
José del Pino, Dartmouth College: Ir a la ciudad y Volver
al pueblo: El nuevo paradigma cultural del cine de Pedro Almodóvar
Alejandro Varderi, Manhattan Community College, CUNY: Ciudad y
memoria: El Madrid de Pedro Almodóvar
Vicente Rodriguez Ortega, New York University: Trailing the World
Auteur: From Pedro Almodóvar to 'Almodóvar'
25. Border Crossings or Mov[i]es beyond Borders
Alison Frahauer, Saint Xavier University: Leon Ichaso and the
Cinema of Exile
Angel Custodio Gómez González, Universitat Autònoma de Barcelona:
Flamenco, cine y género: El concepto de modernidad en las representaciones
flamencas de Carmen Amaya en el cine de Hollywood
Adrián Pérez Melgosa, SUNY Stony Brook: Remakes
and Revisions: Managing the Postcolonial Liminality of Hispanics in Hollywood
and Latino Films
|
|
